NO KNOWN CAUSE a review.

“No Known Cause” has to be one of the most intriguing, most engaging theatre productions i’ve ever seen. The one hour long production has been scaring, captivating and pleasing theatre lovers and other enthusiasts for the past week or so, staged at the endearing industrial surroundings of the Ny Tap hall, outside Carlsberg’s factory by Enghave station.  Part of The Metropolis festival for art and performance in Urban Space, “No known Cause” leads its spectators through the journey of a young man and his elation, sorrow, dilemmas, actions and reactions. In keeping with previous productions by the exciting Wunderkammer artistic collective, the audience are part and parcel of the plot of the piece. This particular production shepherds its audience through a series of hazy dreams and graphic sequences that epitomise and accentuate the fragility and significance of life.  Be prepared to be  guests in the ever-evolving patterns of your wandering lives !

Allan Mutuku Kortbæk

http://mutukz.blogspot.com/2011/08/no-known-cause.html

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Wunderkammer Presents “No Known Cause”.

“NO KNOWN CAUSE” by Wunderkammer.

August 18th – 27th as part of KIT Metropolis Festival 2011.

Ny Tap, Carlsberg, Copenhagen.

English Language. 45min Ca.

We live our lives side by side, thin plaster walls dividing our existence, a millennia of choices leading up to the present moment. In The Corridor new rules apply…take a look, listen hard.

A combination of performance, video and installation creates an alternative and distorted reality. Absurd meetings occur, conversations out of sync, you are a guest in the random, colossal nature of your life.

Wunderkammer's "No Known Cause"

Wunderkammer's "No Known Cause"

 

Posted in Art, Carlsberg, KIT Metropolis Festival 2011, Luke Cooper, No Known Cause, Sam Moore, Theatre, Wunderkammer | Tagged , , , , , , | Leave a comment

IN PEACES by 3rd Addiction reviewed by Vibeke Wern.

Wunderkammer co-founder Sam Moore, collaborated with Dancer/Choreographer Esther Wrobble on a short vertical dance piece titled “The Room”,part of 4 works titled “In Peaces”  He helped developed the concept and created the video projection for the work.   Here is a review by Danish dance critic Vibeke Wern.

Fra brud til fred

Dans. Dansk/israelske Esther Wrobel og hollandske Wubkje Kuindersma har begge de seneste år markeret sig stærkt som dansere herhjemme. Nu er de gået sammen og har dannet kompagniet 3rd Addiction, der tirsdag debuterede med forestillingen ”In Peaces”, hvis titel hentyder til både brud og fred i et forhold. En forestilling bestående af fire, små, interessante værker af og med Wrobel og Kuindersma selv. Som danser udmærker Wrobel sig med sin yderst fleksible, kraftfulde og akrobatiske stil, der ikke mindst i hendes fantasifulde og sjovt videoanimerede soloværk ”The Room” med snoretræk og dans på væggen sender tankerne til nycirkus og Trisha Browns eksperimenter fra 1970’erne. En helt anden lethed har den ballettrænede moderne danser, Kuindersma, når hun bl.a. folder sig ud i sin egen velkoreograferede og videoanimerede solo ”Presence Of Absence”.
Visse ting kunne strammes op, men alt i alt er ”In Peaces” et fint startskud fra 3rd Addiction.

Vibeke Wern

FIRE STJERNER
Hvad: “In Peaces”
Hvem: 3rd Addiction. Af og med Kuindersma og Wrobel
Hvor: Dansehallerne, Lille Carl, sidste dag 15. april

 

In Peaces

In-Peaces by 3rd Addiction

 

 

Posted in 3rd Addiction, Art, Carlsberg, Dance, Esther Wrobel, review, Sam Moore, Theatre, Vibeke Wern, Wubkje Kuindersma, Wunderkammer | Leave a comment

Historical Wunderkammer Drive-In ads.

Found these old ads floating around Youtube


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OFFICE SPACE

Wunderkammer has an office. We just moved into Ny Tap at the old Carlsberg Brewery.

Find us here.

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IN PEACES

In Peaces

Above is an image from a vertical dance with Esther Wrobel that I am working on  in Silkeborg at  Højskolen Performers House. The work we are developing will be part of “In Peaces” at DANSEhallerne Carlsberg  from 12. – 15. april 2011.   It’s an experiment in dance, video, sound and perspective.   Stay tuned for a teaser video…

17/02/11

Here’s another picture.

In Peaces by 3rd addiction

Photo: Per Pederson

Posted in 3rd Addiction, Art, Carlsberg, Dance, Esther Wrobel, Music, Theatre, Wubkje Kuindersma | Leave a comment

POGO MOB

Pogo Mob

Just got back from watching Pogo Mob by The Mob at the Københavns Musikteater.  A show that was loosely inspired by the first British punk era and the spirit of D.I.Y.

The scene is bare and white, with two young woman dressed in blue jeans and white t-shirts the uniform of British punks. One of them is po-going on a small trampoline.  There is an older shaved head man (Poul Laursen) dressed the same and another older man (Jørgen Teller) behind a bank of electronic music devices.

One of the girls Emma-Cecilia Ajanki reading from a sheet of paper begins to describe the concept, The D.I.Y ethos.  She is now joined by Julia Giertz who asks us to try her DIY cupcakes.  They then both ask the audience “do we even want to do it ourselves?” as doing it yourself can be hard. Emma-Cecilia now falls from her trampoline causing a bloody knee, the consequence of trying to do it herself.

Now the older man steps forward and places is hands on the two young woman. He begins to manipulate their limbs into iconic poses such as a raised hand making a devils horns or a peace symbol. Now he begins to manipulate the girls into more physical dance moves, resting one girl on the other, interweaving their limbs.  As the intensity of the music increases, the manipulation becomes more dramatic, the girls are now like rag dolls being pushed and pulled into tangled heaps on the floor. Now they are being picked up and thrown around by the man. Like a slow motion microcosm of a mosh pit, the girls bodies are tossed about at the mercy of an angry man, who is spurred on by the rise and fall in intensity of the music. You feel apprehension for their safety, but you can also see a strength in their bodies so you know they are going to be OK.

The dance  brings my mind back to my own experiences of mosh pits in the mid 90′s, the feeling of being in an ocean of human energy that you could either push against or submit your body to. Become part of the mass and go with the flow or drown.  Also thoughts of free will and how much control do we have over our paths through life. What are the unseen forces that manipulate us?

I also remembered a conversation I had around 1996 with a friends mother who was a psychiatric nurse. She asked me why I enjoyed the “Violence” of a Mosh pit, and I explained that is was a cathartic release to throw yourself into the energy of the crowd, to be part of the swirling mass. It left you exhausted but exhilarated. It was a controlled violence and a space where you really became aware of your own physicality as you where pushed and pulled through a sea of human bodies who you are in extremely intimate contact with. The lyrics of the songs I listened to where often about fierce independence and I do remember questioning myself at the time why I was willing to dissolve my individuality into the mass. What is it like for these two woman to be a the mercy of this dominant man?

Now all four performers stand in a line, like a crowd at a punk show. The dominant man speaks the words from Iggy Pop’s classic ” I wanna be your Dog”

So messed up
I want you here
In my room
I want you here
Now we’re gonna be
Face-to-face
And I’ll lay right down
In my favorite place

And now I wanna
Be your dog

They all now move in slow motion loops of  dance moves from a punk show as the music de-constructs itself.  They drop to all fours and crawl in a line off stage and the show is over. Like any good “Punk” show it was short and intense and left me wanting more.

Definately keep your eye out for future performances by the Mob.

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The drive-in is closed for the year.

Well the last cars have left the building and the projectors have been shut down, so the Drive-In is closed for now.  It was an amazing 5 weeks out at Ny Tap, a time I will never forget.

Here is a list of the people involved with “Drive-In” (In alphabetical order )  More names coming soon as I know there where so many more fantastic people involved.

• Nanna Abell• Julian Amery• Lisbeth Barkhuus • Neil Bennun• Jens Brun Olesen• Mikkel Christiansen• Luke cooper• Maria Friis-Thorsen• Katinka Jean Havberg• Thor Jenson• Renata Kleber• Lene Kreilgaar• Timo Kreuser• Mette Kylsø• Ida Larson• Arthur Lecaron• Kristine Lewinsky• Yeray Lopez-Portillo• Rasmus Lykkebo• Lucas Margutti• Carl Michael Richardt• Sam Moore• Gwendoline Nalvarte• Thomas Nicolaisen• Kir Qvortrup• Sasca Rosborg• Ditte Rosenquist• Gry Raaby• Katrine Seidelin• Jens Sonnenborg• Camilla Sort• Joy Sun-Ra Pawl• Miriam Swartz• Miriam Swartz• Johnny Sybin • Sissel Tonn• Sophie Ullerup• Manca Uršič • Esther Wrobbel• Glen Yeoh

also special thanks to our sponsors

Urban-Help, Statens Kunstråd Scenevalg, Vesterbrolo Lokaludvalg, Lej et Lig and Øksnehallen.

See you in 2011 for some more Wunderkammer hijinks!

From

Level 1000 and or Frank.

PTMD

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kulturnatten

Georg aka Ole Worm, took some great photos of our kulturnatten guests. Check them out here.

Drive-In guest kulturnatten

Drive-In guest kulturnatten

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Kulturnatten at the “Drive-In”

While we are not officially part of Kulturnatten 2010, Wunderkammers’ drive in will be accepting Kulturenatten passes, so come on down to Ny Tap Carlsberg and enjoy the “Drive-In” .

The foyer bar opens at 6pm and the “Drive-in” opens at 8pm. For more information look here.

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